Former Arts and Theatre Editor.
Penguin Pride comes to Proud Galleries this July, and you can get discounted tickets
To mark 50 years since the decriminalisation of homosexuality in England.
Theatre Review: The Enchanted @ The Bunker
An adaptation of death penalty investigator Rene Denfeld’s award-winning novel.
Theatre Review: Common @ The National Theatre
The laborious plot doesn’t thicken, but thinly spreads along the two and a half hour running time.
We spoke to actress Frances Mayli McCann about the riotous show Our Ladies of Perpetual Succour
'Some kick ass tunes and girls going mental in a funny and poignant story about growing up and finding yourself.'
Meet Christopher Green, the Olivier-award winning playwright exploring porn obsession
Audiences are invited to attend a self-help group for those addicted to pornography.
Theatre Review: Blush @ Soho Theatre
The play comments on serious issues of the digital age and it’s a play of such relevance that it should be viewed by many.
Theatre Review: This Is Not Culturally Significant. @ The Bunker
Adam Scott-Rowley is slick. The clarity of performance is something to be in awe of.
Theatre Review: Out There on Fried Meat Ridge Rd. @ Trafalgar Studio 2
In spite of the horrifically long title, the play itself is a mere 70 minutes, and it's 70 minutes of absolute joy.
Theatre Review: Salomé @ The National Theatre
Despite a strong ensemble and an impressive design, Salomé failed to deliver on plot and substance.
Meet the Instagram illustrator encouraging women to show off their bodies
Her images show women with disabilities, stretchmarks, pubic hair; women of different races and even women masturbating.
Talking psychology, nudity and confrontation with Adam Scott-Rowley
I caught up with writer, director and performer Adam Scott-Rowley to find out more about this darkly comic production.
Meet the director combining indie rock and post-modern jukebox with Shakespeare
To celebrate The Watermill Theatre’s 50th anniversary, Paul Hart’s Romeo + Juliet will be performed in repertoire alongside a brand new production of Twelfth Night.
Theatre Review: The Philanthropist @ Trafalgar Studios
Half the cast don’t perform with any vigour, belief, understanding or commitment.
Damian Lewis is another example of someone privileged not realising just how privileged they are
Taking the decision to persue acting is becoming a little more than a fantasy for actors from a working class background.
Theatre Review: Threads @ The Hope Theatre
The bizarre, unexplained world in which they inhabit seems so far from our own that the emotion is hard to engage with.
Meet the director changing the face of theatre in the UK
Exploring racism, globalisation, multi-nationalism and injustice, The Changing Face Collective is a theatre company on a mission.
8 reasons why Who’s Afraid of Virginia Woolf? is the play you need to see this spring
From the writing, to the cast, to super cheap tickets - you absolutely have to go!
We spoke to Olivier-nominated Charlie Stemp about his journey to West End stardom
'It’s tough - but I wouldn’t have it any other way.'