“Music to Get Herpes By”: An interview with Nickelback
29th April 2018
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“When the songs do so well, it’s hard to choose which ones we’re putting on. Otherwise you’re up there doing a four-hour show, and I don’t think people really want a four-hour show…”
Love them or loathe them, it is impossible to deny that Nickelback are truly one of the most popular rock bands of the 21st century. Their two-decade-plus career has seen the Canadian quartet consistently herald some of the most played and replayed hits of this generation, with a canon that includes more chart-smashing successes than anyone would ever have time to list.
Ergo, as the heavy-hitting juggernauts are preparing to embark on a high-profile arena tour of the UK next month, it felt apropos to begin by asking bassist Mike Kroeger about the throes of arranging a set-list for a band that has that many beloved anthems.
“A lot of the time we’ll do research about what songs have performed well in these particular areas and that will give us the foreknowledge that we need,” he continues. “If we have songs that we need to take out, we can know which ones did better or worse than others and take out the ones that didn’t break through, and leave the ones that made their mark.”
Of all the potential tracks in Mike and co.’s enormous arsenal, one in particular that fans will surely be clamouring for is 2001’s ‘How You Remind Me’: a pop-culture-penetrating powerhouse that the bassist (who also co-wrote the song) says was “a global phenomenon”. The track will enjoy a bittersweet return when it is once again played on British shores, as Mike recalls how it was actually even once banned by the country’s powers that be.
“I think it was either the video or a billboard that got banned,” he says. “It was too risqué, because of half-naked girls or whatever, and that caused all of that school-mum outrage. But that got it more traction, and it actually made it to number one once all of those people got pissed off.”
There’s a tragic irony in the nation that gave the world such controversial and envelope-pushing names like Alice Cooper and the Sex Pistols censoring a rock ‘n’ roll band, but, according to Mike, that kind of controversy is the bread-and-butter of the genre.

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