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Interview: Hugo Speer

9th January 2014
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Hugo Speer (Skins, Bedlam and Lars Von Trier’s upcoming Nymphomaniac) is about to star in The Musketeers – a new ten-part drama inspired by Alexandre Dumas’s 1844 published, 17th Century set novel.

What do you think makes this version of The Musketeers fresh?

It has all the right ingredients. The young directors that they’ve brought on were always full of enthusiasm. I think the art department are incredible and the actors that they’ve brought on. I think it’s literally just everything about it that kind of gives it a real exciting fresh feel. I don’t think anything that has been done recently has been wide of the mark; this just feels more honest to the real sort of ethos of how Dumas wrote the novel. It’s seems like a good time to revisit it, but to revisit it honestly. I think certainly having seen the way it’s being produced and directed, it feels very pacey and I think that’s very exciting. You know it’s an exciting story but I think if told well then it just feels modern again.

Can you tell us a bit about your character, Treville?

He was effectively the first Musketeer. He was in King Louis’s court when they were kids. My father was a King’s soldier and he was his favourite solider, so when we were growing up as kids, Treville had access to the court and was able to play in the court with the young prince. So when the prince became older and when he became king it seemed natural for him when it came to creating an elite band of troops to act as his security and bodyguards and the like. It seemed a very natural thing to task Treville with that job - to be his number one left-hand man or right-hand or whatever it is, and also bring together the band of troops that became the Musketeers. Treville’s motto is loyalty and strength - that’s how he lives his life and that’s how he is in regard to the king as well.

What is Treville's relationship like with the other Musketeers?

He is like an older brother figure. I feel that there’s certainly a real love, respect and in some cases fear of Treville. Again, in the novel it mentions these three elements - love, respect and fear - and it says that to be these things is like the paragon of male virtue. There’s no higher accolade that one could have bestowed upon you. So that’s basically how the Musketeers see him. It’s fear, it’s love, it’s respect. It’s all those things. But I’d say that kind of like, more sort of fraternal way than anything paternal.

Does Treville still get his hands dirty when he needs to?

Certainly more towards the end of the series - his hands get dirtier and dirtier actually.

What was it like filming in Prague?

It’s such a beautiful country. It’s great to be away from everything to know that you can just focus on the work. There’s a real romance to Prague itself, which I think kind of helps. The Czech Republic itself has all these incredible castles and gardens that the government protected and maintained, which made it a lot easier to create the world of 17th-century Paris. The world of the Musketeers. The people themselves were very welcoming and very friendly, so it kind of made the whole experience a very happy and positive one. If you’re feeling that way, then obviously it’s a lot easier to do the work. If you’re enjoying your time there, it makes the job so much more pleasurable.

What do you hope the audience get out of the show week by week?

I hope they genuinely enjoy this fresh retelling of a story that I think most people are familiar with in the first place and also, for younger viewers, that they learn about these characters and love them and love the whole world and the whole history: just genuinely get caught up in this action adventure romance, which is kind of what the whole thing is. This is like story-telling at its best and that’s why we make these things - to give audiences a right rollicking piece of entertainment. I hope they just watch it and love it and keeping watching it in their droves.

The Musketeers will air on BBC One later this year.




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