Slashers, Showers and George Osborne - an Interview with Calum Waddall
9th May 2013
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The slasher film – usually involving a psycho chasing a screaming girl through the woods – is one of the most enduring genres in cinema. For decades, boys have dragged dates to the cinema for an excuse to put an arm around them when the cunning young lady pretends to be scared.
Slice and Dice: The Slasher Film Forever, a new documentary that pays homage to Psycho, Scream and everything in between, is an entertaining look at the genre for those unfamiliar with it, and a real nostalgia trip for die-hard fans.
When talking to Calum Waddell, a young Scottish journalist and the director of the documentary, it’s easy to see why Slice and Dice feels like such fan service. Calum’s passion for slashers is infectious, and despite not being a fan of them myself, it’s impossible not to get swept up in his enthusiasm.
“Have you seen Psycho?” he asks. I haven’t, apart from the iconic shower scene that, presumably, the entire world has witnessed at some point. “Go and watch Psycho,” he says firmly.
“It’s a fantastic film, even if you don’t like slashers it’s fantastic. And even when you know that that shower scene is coming – even if you’ve seen it on ‘Top 100 Best Thrills’ or whatever Mcguffin Channel 4 is trying to sell people – it’s still so, so shocking in the context of that film. Even today, it still makes you go ‘Holy shit’ you know?”
The scene in question features heavily in the documentary, and Calum says that’s because every slasher since is indebted to Alfred Hitchcock’s masterpiece. “I think everyone’s trying to better it but it’s a hard film to better! Something that shocking, that horrifying, is so iconic. And I think that’s what everyone owes to Hitchcock, the mentality of ‘I’m gonna beat that, I’m gonna shock you more than Psycho did.’ You see that kind of one-upmanship everywhere.”
The original Texas Chainsaw Massacre is another big film in the documentary, and Calum’s favourite slasher of all time – but his reasons for it differ quite a lot from the household film-making names interviewed in the documentary. “It’s very, very political. I don’t want to get all academic or anything but you can’t have ‘Texas’ and ‘Massacre’ in the same title without making a political movie – that’s just from the basic history of Texas as a state. But people forgot about that when it came out, you know, even now reading the reviews they talk about meathooks and Leatherface and the actress being chased through the forest, but very few people draw attention to those words together in the title. There’s a lot going on in the film that draws attention to that era, that Vietnam, Watergate sort of era, so it’s a very interesting film, it’s my favourite.”

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