Film review: The Ides Of March
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4/5Disappointment in politicians, an early stage of the American presidential elections, the it-man of the season in the lead: ‘The Ides of March’ could hardly be more topical. The title refers to the day of reckoning for Julius Ceasar, where he was stabbed by a group of conspirators. Not that the characters in the movie refer to this: they are too busy meeting in back rooms and spinning the news. Stephen (Ryan Gosling) is an idealistic staffer for presidential candidate Morris (George Clooney, also directing), and works with more experienced staffer Paul (Philip Seymour Hoffman). As they prepare for the Ohio primaries, they are working on an endorsement which will pave the way straight to the White House. When the stakes gets higher, Stephen finds out that no-one can be trusted, and the movie accelerates into a thriller-like set-up, complete with suspicious deaths and meetings in half-lit rooms. Morris’candidacy mirrors president Obama’s in some ways: whereas there is no race issue involved, Morris would be the first non-religious candidate to come into office. One scene with Morris’wife leaning against him while they are travelling seems to be inspired by the World Press Photo-winning photograph of the Obamas. The difference is that in Clooney’s version, there is no hopeful morning light: the scenes takes place in the dark. Since the movie takes place on the election trail, everyone is permanently in transit: all scenes take place in hotel rooms, make-shift offices and campaign busses. Human relations turn out to be equally uncertain, and all based on political gain. The one time Stephen’s father calls, it turns out to be a trick from one of his opponents.
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