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Dovydas Laurinaitis
Central School of Speech & Drama (in London)
21 year old Lithuanian born, Devon integrated expat, currently living in London in the pursuit of some sort of creative fulfillment. Areas of expertise include (but not limited to) theatre and obscure alternative pop music.
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Articles:  16
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Outbox Theatre's latest production adds little to the conversation of gender.

Theatre Review: And The Rest Of Me Floats @ Rose Lipman Building

Outbox Theatre's latest production adds little to the conversation of gender.

A captivating performance from Maggie Bain.

Theatre Review: Man to Man @ Wilton's Music Hall

A captivating performance from Maggie Bain.

This thoroughly calculated production has plenty of tricks up its sleeve

Theatre Review: Thebes Land @ Arcola Theatre

This thoroughly calculated production has plenty of tricks up its sleeve

It is encouraging to see that the boundaries of what we are able to present and discuss on stage are ever expanding.

Theatre Review: An Injury @ Ovalhouse

It is encouraging to see that the boundaries of what we are able to present and discuss on stage are ever expanding.

Instantly and unrelentingly engaging, Thirty-Three rests on the seemingly effortless portrayal of its stellar cast.

Theatre Review: Thirty-Three @ Leicester Square Theatre

Instantly and unrelentingly engaging, Thirty-Three rests on the seemingly effortless portrayal of its stellar cast.

Cringe-worthy in its lack of self-awareness.

Theatre Review: Landmines @ Ovalhouse

Cringe-worthy in its lack of self-awareness.

 In this case, I found myself leaving the theatre apathetic and in need of a paracetamol.

Theatre Review: The Pulverised @ Arcola Theatre

In this case, I found myself leaving the theatre apathetic and in need of a paracetamol.

A is darkly comedic look at how our society tends to write our endings for us.

Theatre Review: The Lounge @ Soho Theatre

A is darkly comedic look at how our society tends to write our endings for us.

The brilliance of this piece is its ability to hide how smart and calculated it is.

Theatre Review: Eurohouse @ Ovalhouse

The brilliance of this piece is its ability to hide how smart and calculated it is.

The Danish alt-pop songstress is back.

Hear This: MØ - Nights With You

The Danish alt-pop songstress is back.

A production that behaves more like a read-through in drama class.

Theatre Review: Romeo & Juliet @ Greenwich Theatre

A production that behaves more like a read-through in drama class.

In Vera Tussing’s new work, the idea of how we communicate as human beings in 2017 is brought to the forefront.

Theatre Review: Mazing @ The Place

In Vera Tussing’s new work, the idea of how we communicate as human beings in 2017 is brought to the forefront.

 It appears that the running theme is some very valid choices, which weren't followed through as well as they could have been.

Theatre Review: Posh @ Pleasance Theatre

It appears that the running theme is some very valid choices, which weren't followed through as well as they could have been.

For only 60 minutes of your time, Black offers a much-needed escape brimming with laughter and humanity.

Theatre Review: Le Gateau Chocolat: Black @ Theatre Royal Stratford East

For only 60 minutes of your time, Black offers a much-needed escape brimming with laughter and humanity.

Must we keep dragging his corpse around Central London in the hopes that people who have in the past avoided the theatre will flock to see yet another famous face attempt to tackle one of those 'in-tackleable' roles?

Must we keep reviving Shakespeare?

Must we keep dragging his corpse around Central London in the hopes that people who have in the past avoided the theatre will flock to see yet another famous face attempt to tackle one of those 'in-tackleable' roles?

Arguments and declarations of love fly over the heads of the audience, in the to-and-fro of Green's new play

Theatre Review: a profoundly affectionate, passionate devotion to someone (-noun) @ The Royal Court Theatre

Arguments and declarations of love fly over the heads of the audience, in the to-and-fro of Green's new play

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