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Amy Worthington
Other Institution
Arts and Theatre Editor.

My name is Amy, I'm 21 and from Manchester. I'm currently studying BA (Hons) Professional Acting at Drama Studio London.

Contact: art.editor@thenationalstudent.com

Twitter: @avworthington_

Ranking:
Articles:  121
Reads:  102,064

 

The play comments on serious issues of the digital age and it’s a play of such relevance that it should be viewed by many.

Theatre Review: Blush @ Soho Theatre

The play comments on serious issues of the digital age and it’s a play of such relevance that it should be viewed by many.

Adam Scott-Rowley is slick. The clarity of performance is something to be in awe of.

Theatre Review: This Is Not Culturally Significant. @ The Bunker

Adam Scott-Rowley is slick. The clarity of performance is something to be in awe of.

In spite of the horrifically long title, the play itself is a mere 70 minutes, and it's 70 minutes of absolute joy.

Theatre Review: Out There on Fried Meat Ridge Rd. @ Trafalgar Studio 2

In spite of the horrifically long title, the play itself is a mere 70 minutes, and it's 70 minutes of absolute joy.

Despite a strong ensemble and an impressive design, Salomé failed to deliver on plot and substance.

Theatre Review: Salomé @ The National Theatre

Despite a strong ensemble and an impressive design, Salomé failed to deliver on plot and substance.

Her images show women with disabilities, stretchmarks, pubic hair; women of different races and even women masturbating.

Meet the Instagram illustrator encouraging women to show off their bodies

Her images show women with disabilities, stretchmarks, pubic hair; women of different races and even women masturbating.

I caught up with writer, director and performer Adam Scott-Rowley to find out more about this darkly comic production.

Talking psychology, nudity and confrontation with Adam Scott-Rowley

I caught up with writer, director and performer Adam Scott-Rowley to find out more about this darkly comic production.

To celebrate The Watermill Theatre’s 50th anniversary, Paul Hart’s Romeo + Juliet will be performed in repertoire alongside a brand new production of Twelfth Night.

Meet the director combining indie rock and post-modern jukebox with Shakespeare

To celebrate The Watermill Theatre’s 50th anniversary, Paul Hart’s Romeo + Juliet will be performed in repertoire alongside a brand new production of Twelfth Night.

Half the cast don’t perform with any vigour, belief, understanding or commitment.

Theatre Review: The Philanthropist @ Trafalgar Studios

Half the cast don’t perform with any vigour, belief, understanding or commitment.

Taking the decision to persue acting is becoming a little more than a fantasy for actors from a working class background.

Damian Lewis is another example of someone privileged not realising just how privileged they are

Taking the decision to persue acting is becoming a little more than a fantasy for actors from a working class background.

The bizarre, unexplained world in which they inhabit seems so far from our own that the emotion is hard to engage with.

Theatre Review: Threads @ The Hope Theatre

The bizarre, unexplained world in which they inhabit seems so far from our own that the emotion is hard to engage with.

Exploring racism, globalisation, multi-nationalism and injustice, The Changing Face Collective is a theatre company on a mission.

Meet the director changing the face of theatre in the UK

Exploring racism, globalisation, multi-nationalism and injustice, The Changing Face Collective is a theatre company on a mission.

From the writing, to the cast, to super cheap tickets - you absolutely have to go!

8 reasons why Who’s Afraid of Virginia Woolf? is the play you need to see this spring

From the writing, to the cast, to super cheap tickets - you absolutely have to go!

'It’s tough - but I wouldn’t have it any other way.'

We spoke to Olivier-nominated Charlie Stemp about his journey to West End stardom

'It’s tough - but I wouldn’t have it any other way.'

Artists Nathalie Djurberg and Hans Berg bring their new exhibition ‘Who am I to Judge, or, It Must be Something Delicious,’ to the Lisson Gallery, London.

An exhibition looking at erotic pleasures, infantile sexuality and animalistic desires is coming to the Lisson Gallery

Artists Nathalie Djurberg and Hans Berg bring their new exhibition ‘Who am I to Judge, or, It Must be Something Delicious,’ to the Lisson Gallery, London.

The glitz and glamour of Broadway's biggest musical has been revived and is currently showing on London’s biggest stage at The Theatre Royal Drury Lane.

Theatre Review: 42nd Street @ Theatre Royal, Drury Lane

The glitz and glamour of Broadway's biggest musical has been revived and is currently showing on London’s biggest stage at The Theatre Royal Drury Lane.

Cheek by Jowl are bringing Shakespeare’s classic tragedy The Winter’s Tale to The Barbican this April.

We speak to actor Orlando James as he takes on Leontes in The Winters Tale

Cheek by Jowl are bringing Shakespeare’s classic tragedy The Winter’s Tale to The Barbican this April.

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